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Misery Obscura: The Photography of Eerie Von, 1981-2009

Duane Kelly

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Published in Misery Obscura: The Photography Of Eerie Von (1981 2009)

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Eerie Von was a pioneering photographer of the macabre and surreal. Her work is characterized by its dark, unsettling imagery, which often explores themes of death, decay, and beauty. Von's photographs have been exhibited in galleries and museums around the world, and her work has been featured in numerous publications, including The New York Times, The Guardian, and Vice.

Misery Obscura: The Photography of Eerie Von (1981-2009)

by Eerie Von

4.9 out of 5

Language	:	English
File size	:	516740 KB
Screen Reader	:	Supported
Print length	:	160 pages

Von was born in San Francisco in 1952. She began taking photographs in the early 1980s, and her work quickly gained attention for its unique aesthetic. Von's photographs are often staged, and she frequently uses props and models to create her desired效果. Her work is meticulously crafted, and she often spends hours editing and manipulating her images to achieve the perfect look.

Von's work has been praised for its originality and its ability to evoke a sense of unease and wonder. Her photographs are often beautiful and disturbing at the same time, and they offer a unique glimpse into the human condition. Von's work has been compared to that of other photographers such as Diane Arbus, Cindy Sherman, and Francesca Woodman, but her work is ultimately unique and defies easy categorization.

Eerie Von died in 2009 at the age of 57. She left behind a legacy of powerful and haunting images that continue to inspire and challenge viewers to this day. Her work is a reminder that beauty can be found in the most unexpected places, and that even the darkest of subjects can be transformed into something beautiful.

Early Life and Education

Eerie Von was born in San Francisco in 1952. Her father was a doctor, and her mother was a nurse. Von was raised in a strict Catholic household, and she attended Catholic school for most of her childhood. Von has said that her early religious upbringing had a profound impact on her work, and that she was drawn to the macabre and surreal as a way of exploring her own feelings of guilt and shame.

Von began taking photographs in the early 1980s, while she was still in her twenties. She studied photography at the San Francisco Art Institute, but she eventually dropped out of school to pursue her own artistic vision. Von's early work was heavily influenced by the work of Diane Arbus and Cindy Sherman, but she quickly developed her own unique style.

Mature Work

In the mid-1980s, Von began to produce the work that would become her signature style. These photographs are characterized by their dark, unsettling imagery, which often explores themes of death, decay, and beauty. Von's photographs are often staged, and she frequently uses props and models to create her desired effect. Her work is meticulously crafted, and she often spends hours editing and manipulating her images to achieve the perfect look.

Von's work has been exhibited in galleries and museums around the world, and her work has been featured in numerous publications, including The New York Times, The Guardian, and Vice. Von's work has also been used in several films and television shows, including the HBO series True Detective.

Legacy

Von's work has been praised by critics and curators alike. In a review of Von's work, The New York Times wrote that "Von's photographs are not for the faint of heart, but they are undeniably powerful and moving." The Guardian called Von "one of the most important photographers of her generation," and Vice said that "Von's work is a testament to the power of photography to confront and challenge our own fears and anxieties."

Von's work continues to be exhibited in galleries and museums around the world, and her work is also widely available online. Her work is a powerful reminder of the beauty and darkness that can be found in the human condition.